Carol Ferris

I will wait for you but once I get you, I won’t wait. Because how many times do you own what you want? A lot sure, but I mean really really want. And I’ve wanted you since the ten years between us mattered, when you were dating Oscar winners or nominees. I try not to pay too much attention to the accolades of past lives you lived before you acted against me.

The chemistry was a pay check for a day, a wig worth wearing, and the green screen was an easy act, and each time you disappeared, materialised elsewhere, it was a simple pitch, an emotion I found, and the tabloids told, the stories unravel, and I hung like last year’s coat jacket sure that there was some wear for me, other than professional glaze.

I waited, and the merge was timescaled, with me sure that what happens to me won’t happen to her, wasn’t the course run by you both, because I’m a slower burn, later award, significant hair colour, no music career and none waiting. And every person I fucked before was a has-been or up-and-coming indie, never a verger, A-list maker, just 5 years too late.

I grew up on Titanic, wondering if Leo and Kate reenacted their costumeless roles outside, cameras off. I craved co-stars and I craved you and I got you and I won’t be a dot in a sequence obliterated by 2014.

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The Film Was Shot In Paris

You don’t know who you are until your handbag’s emptied, you’ve thrown up in front of someone without warning, Jack’s found stories you wrote years ago about him and read them like he’s your brother and the stories, your journal.

The next day when you replace the make up cases that scuffed the floor like well worn heels you consider censorship, if you should embargo each word in your mouth until it’s an absolute necessity, but you usually do the opposite of what you’ve been asked to, free speech is important and Jodie Foster’s a _______ ____ anyway.

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